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Avril Lavgine : A true talent recognized or lost in hype?

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Inspired by her brother’s skills in string instruments, Canadian rising star Avril Lavigne taught herself to play when she was 12. Though she strums the cords like a pro she never learnt to read music as she believes in playing by ear rather than by rules of musical annotation. She grew up as the middle child in small town (population: 5,000) Nappanee, Ontario, Canada. She longed for stardom and showcased her vocals every chance she got. Whether it was singing radio hits at the top of her lungs at home, singing gospel tunes in the local church choir, to even country music at fairs and festivals.

Her dreams towards stardom first took form when, Antonio “LA” Reid CEO of Arista records discovered Avril’s vocal talents in New York City and signed the16 year old about two years ago without a second thought; soon after Lavigne plunged into the creative process of composing the tracks. However her album wasn’t complete until she moved to Los Angeles, and met producer/songwriter Clif Magness.

Lavigne claims that she tries to avoid the credibility pitfalls plaguing the brigade of bubble-gum divas that ruled the charts in the late '90s and early millennium. He pens her own music and aims to dictate the kind of music style she wants to market. As a rising star she is quite obviously being steered by a record label whose goal (understandably so), revolves around album sales and financial profit. Through her performances she projects pure energy and spunk. However her ‘own’ style gets lost in the mesh since she so obviously reminds music critics of previous newcomers and their ‘celebrity’ approach. The approach being — stir up controversy by ragging on chart toppers who have several platinum albums to their credit and blatantly declare, “My Music is different it’s different from the musical style taken on by other musicians” all attempted at keeping the public spotlight fixed on each respective newcomer. A marketing strategy that might just need up nipping her success and bury her true talent, if she doesn’t start paying close attention to what her true musical skill and style is, and publicize accordingly.

 

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MusicBytes@stylinzine.com

 

In her debut album Let Go, 18 year old Avril, explores most of the basic music genres. She springs from pop with songs like "Complicated", to a rather tragic attempt at Rap in the song  "Nobody's Fool" along with the track  ‘Sk8er Boi’ which is pretty much the only rock song in an album that’s suppose to be nothing but punk rock.

Thought she ought to be given points for her song writing abilities, her style and self described musical category glaringly contradict. The lyrics are childish to say the least and annoying beyond reason and the absolute last thing from profound bellowing about real life’s realities. She is a self-professed punk rocker who might try to dress the part but her album and lyrics sound more like fairy floss ‘pop’ than rock.

She writes a number of her own lyrics and should be given ‘some’ credit for that and she does posses an unmistaken able level of vocal skill but whether or not she will stay on the Billboard Top 10 is debatable seeing as that the over all package her publicists tirelessly promote don’t really resemble the track listings on her CD thus far.

She is a newcomer and continued success is still probable as soon as she gets a new publicity team and a clear perspective on what each musical category calls for.


 

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